2020. 3. 5. 22:29ㆍ카테고리 없음
The STM-100 Theater Management System (TMS) enables central management of a cinema complex’s multiple digital projection systems. Users can create show playlists (SPLs) for each individual auditorium and schedule and manage them from a single central TMS workstation, simplifying management and improving efficiency. The system then handles content ingest and transfer to projectors across the complex, doing away with the need to load content manually on to multiple projectors.Cinema complexes may have invested in a number of different digital cinema servers to fulfill the requirement to project digital 3D. TMS protects this investment. Along with Sony media blocks, Dolby and Doremi digital cinema servers may be incorporated into the TMS centralized system without any disruption to workflow.TMS operates as part of the Sony CHIPS (central hub for integrated program storage) system. The TMS/CHIPS system comprises the TMS application server running the application software, connected to a library server offering 15Tb storage space for movies, trailer and advertisements. A TMS client PC allows for a single point of operation of the TMS.
Users can control and manage the entire digital projection network within a cinema complex from a single TMS workstation. TMS offers the convenience of a central library of all multiplex content from trailers to movies. Up to 32 digital cinema projection systems may be controlled at one time. The system handles management and ingestion of DCPs (digital content package) and KDM (key delivery message) security keys and transfer to projectors across the complex.
TMS automatically generates a ‘to do’ list for the operator to ensure relevant content is ingested and will warn of missing content for an auditorium as the schedule deadline approaches. The standard system offers a huge 15Tb of storage and this may be scaled up further. Show playlists (SPLs) consist of the pre-show content, such as adverts and trailers, and the main feature. They also contain automation cues relating to the projector, such as ‘power on’ or ‘lamp off’, and cues relating to house automation, such as house lighting or masking.
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Users can create SPLs for each individual auditorium, allowing for granular management of large cinema complexes. Creating SPLs centrally is significantly more efficient than creating SPLs in the traditional way, on a projector-by-projector basis.
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Content and cues can be applied to the SPL using an intuitive graphical user interface. Users can create content packs for more streamlined SPL creation.
A content pack might contain a number of advertisements, for example.